Three hundred and sixty Robe
moving lights caught the action at the Philips Stadion in Eindhoven for four
sold out concerts by Dutch singer, songwriter and superstar Guus Meeuwis, part
of an eye-catching lighting spectacular designed by Marco Driessen from
creative lighting and visual design practice, The Art of Light.
Meeuwis plays multiple shows at
the 34,000 stadium around about the same time each year. It is home to the Philips Sport Vereniging (PSV) football
team of which he’s a keen supporter, and there is a completely unique look and
feel to the stage year-on-year, originated by set designer Ronald van den
Bersselaar of BEEO.
This
years’ theme featured a carnavalesque appearance based on the famous orange
flag for Netherlands which was recreated using a combination of scenic and LED
elements.
Marco
has worked with the artist for 16 years and, just over a year ago, joined The
Art of Light, known for innovation and flair.
These
shows are always a vibrant fusion of ideas and input from Guus, Ronald, Marco, musical
director Jan Willem Roozenboom, show director Marcel de Vré, the audio team and Guus Meeuwis’
management, and right at the heart of the show presentation is the goal to
delight and entertain the audiences.
One of
the recent production trademarks is a runway circumnavigating the entire field
of play, allowing Meeuwis to get right in amongst his fans.
Lighting
the set was obviously a massive part of the experience – although for a stadium
gig, it was not a huge lighting rig in fixture numbers. Another big
consideration was lighting a large number of people onstage including an 8
piece electronic band and an 18-piece orchestra.
Thirty-two
of the 66 LEDWash 300s were installed in the low roof above the band area
onstage their small size making them perfect for the job.
Thirty-six
BMFL WashBeams were rigged around the top levels of the set. It was the first
time Marco had used Robe’s BMFL WashBeams on one of his shows, and he commented,
“They
are powerful with a great zoom and good colours in the colour wheel, its fast
and also the blades are a great feature in this fixture I think it’s overall a very ‘complete’
product”.
The
thirty seventh BMFL WashBeam was used in follow spot mode in the mid-stage
roof.
Twenty-two
BMFL Blades were dotted around the stadium stand roofs, along the back of the central
circular section of the stage and on the PA delay towers and used to highlight
the detailed set décor which looked amazing!
Marco
was very satisfied with their output given the throw distances of between 25 – 85
metres!
There
were 107 Pointes on the rig of which 48 were positioned along the walkway
around the arena floor, with six on the B-stage at the front, 15 in the towers
filling the spaces in between the curves of the different set flags, 12 behind
the band, 8 on the risers and the rest scattered around the over-stage trusses.
“I love
Pointes,” says Marco, “They are compact, punchy and small and perfect as a beam
or a spot”.
The 117 LEDWash 800s were rigged
all over the roof structure and stage trusses and used for creating base washes
and lighting the whole environment – stage and audience. Ensuring that the show
was colourful and fast moving was very much part of the Guus Meeuwis live
aesthetic.
Eight LEDBeam 1000s were used as
specials for picking out the set flags and last but not at all least on the
Robe front three PATT 2013s onstage were fitted with customised covers in the shape of the stylised Guus Meeuwis
‘G’.
All lighting equipment was
supplied by Utrecht based Ampco Flashlight Rentals, brought in by Sightline
Productions who co-ordinated all the technical elements for end client,
promoters Modestus Management & Concerts.
Marco was able to WYG a
considerable amount of the show in the days immediately prior to the get-in and
during the build, which was invaluable in helping to go into the onsite
programming period with several key building blocks already in place, allowing
them to fine tune and spend that time very efficiently once they were handed
the rig.
Art of Light’s Andre Beekmans
assisted on the programming and operating.
The shows started in daylight and
transitioned through dusk into the night so another major challenge for lighting
was to ensure that lighting and video was seamless and balanced throughout the
process.
Marco has used Robe products
regularly for the last few years and comments, “As manufacturers, they are
doing a great job of listening to LDs and also designing and making excellent
fixtures that are very creative, powerful and well-priced. I love them!”
http://www.robe.cz
Photos : Louise
Stickland
