A substantial Robe moving light rig
was used for the final of the 2013 Miss
Universe Slovak
Republic event, a high profile
co-production between the In Agency and the Miss Universe Organisation, staged
at the Aegon Arena National Tennis Centre in Bratislava and broadcast live on national TV
channel RTVS 1.
Lighting was designed by Martin
Kubanka, Slovakia’s
top television LD, and included over 100 Robe fixtures including LEDWash 600s
and 1200s, ROBIN MMX Spots, ROBIN 300 and 600 Beams and LEDBeam 100s.
Kubanka worked closely with set
designer Daniel Sichman on creating the show aesthetics which also featured a
plethora of LED screens and lightsources in addition to all the Robes. The
majority of the lighting and video together with the L-Acoustics Kara sound
system, plus over 50 points of rigging was supplied by leading Slovakian
technical solutions provider, Q-99.
The slickly choreographed
presentation was directed by Thomas Eibner, and was certainly a cut above the
average beauty pageant in terms of production values.
“We have a reputation here in
Slovakia of producing one of the best Miss Universe live shows and telecasts,
and each year we ‘up the ante’ getting more ambitious in our use of
technology,” explains Kubanka with pride.
He has been using Robe products in
his work for over 10 years and now – and even more than ever with the latest
ROBIN ranges – it is his moving light brand of choice.
Q-99 was an early adopter of Robe technology
and has been a loyal customer through the last decade. In the last two years
the company has invested extensively in the latest products, including the
ROBIN Beams, the LEDWash series, MMX Spots and LEDBeam 100s.
Kubanka’s biggest challenge of the
Miss Universe show is to keep the lighting looking interesting and different
throughout – offering new and inventive pictures, and also to light the 12
contestants perfectly for the camera – for which they must have fabulous skin
tones. For this task he used 10 carefully positioned LEDWash 1200s as 3200K
soft lights in the central area of the stage.
He also worked closely with Eibner
and DoP Vladimir ?ur?ansk? in ensuring that the cameras could
get a diversity shots, and that there were no ‘black holes’ in any of them.
Additionally, there were also a
number of entertainment sections to the event, which needed a different
approach to lighting. There were a couple of ‘full production’ dance numbers
and a solo performance by singer Peter Cmorik – a former Slovakian Superstar
winner.
The ROBIN 600 Beams, LEDWash 600s and
1200s, MMX Spots and 300 Beams were positioned on a series of over-stage
trusses, including six striking S-shaped mini-beam trusses over the mid and
forestage area.
The 10 MMXs were in the back and on
the upstage sections of the S-trusses, used for beam effects, as ‘sharp lights’
as well as for for texturing the floor.
He chose lots of beam lights for the
rig because that type of look is very trendy in TV circles right now. “The
ROBIN Beams – both the 300s and the 600s are really bright and punchy!” he
explains, adding that they needed to be to hold their own against the 120 square metres
of LED screen onstage, which they did admirably, together with the MMX Spots,
the LEDWashes and even the tiny LEDBeam 100s!.
On an advanced truss in the auditorium,
he had six ColorSpot 1200E ATs that were used for lighting the VIP section at
the front – all sitting around tables.
For Peter Cmorik’s bracing rendition
of Robbie Williams’ blockbuster “Angel”, the side LED screens split apart to
reveal vertical trussing loaded in with 24 additional LEDBeam 100s and some
active Sunstrips – for extra WOW factor and to surprise the audience!
Kubanka programmed and controlled all
the lighting – which included other moving lights, generics, strobes and the
several other LED lightsources – from a grandMA2 full size console. Another
grandMA2 full size ran all the playback video – stored on MA VPU media servers
– operated by Michael Brna, and the pyro was fired from a grandMA series 1
light by Robert Plunar which included a Power Jet CO2 system.
Q-99’s Project Manager was Patrick
Kvacka. He comments, “We are really pleased with how the show looked this year.
Everyone involved is very keen to keep pushing ‘the technical envelop’ in the
quest to get great results. Having Robes as the main moving lights is great for
enabling Martin’s creativity to flourish and the crew love them because they
are so reliable!”
Miss Universe Slovak Republic 2013
was won by 20 year old Jeanette Borhyová from
Danube Ivanka, who will represent her country in the final, the 62nd
Miss Universe Pageant.
