When the
famous Rock in Rio Festival
returned to Lisbon (Portugal) this summer, and crowds of up to 350,000 swarmed
to the Parque da Bela Vista, they zeroed in on the main Palco Mundo stage, the
façade of which was spectacularly lit by 120 GLP impression X4 LED heads.
This
provided the perfect setting for top tier acts such as the Rolling Stones,
Arcade Fire, Justin Timberlake, Linkin Park, Queens of the Stone Age and many
more to perform over the four days.
Having
worked with Rock in Rio, one of the
largest festivals in the world, for the last decade, lighting design company, bright! GmbH again turned to GLP’s successful impression platform.
Thomas
Giegerich, who runs the German lighting company with brother Michael, confirmed
that they had successfully built on the legacy of the original impression 90s. “We used all the X4 to
bring the metal stage structure to life — something we had done with the Impression 90 years before. It really
highlighted the façade.”
He noted
that in addition to being compact, lightweight and low on consumption — ideal
for festivals — there were many other attributes. “They are rugged, produce
very good colors and are extremely fast,” he stated. “In the end the price was
part of the decision too.”
He had
first become involved in the event back in 2004 when bright! were asked to
handle the complete WYSIWYG on-site preprogramming. “We were hired by Procon,
which is now PRG Germany, for the first European Rock in Rio — and now I am the festival’s lighting designer,”
Giegerich continued.
Founded by Brazilian
entrepreneur Roberto Medina, the event itself is a series of festivals that take place
in Rio (Brazil), Lisbon (Portugal) and Madrid (Spain). It had been his
decision to move the event to Lisbon in 2004 before it returned to its original
location, Rio de Janeiro, with a new line-up in 2011 (which also saw bright!
handle the lighting design).
Working
this year alongside Gabisom, who provided the sound, Thomas Giegerich and co-LD
Tobias ‘Toto’ Bröcking designed all the lighting and video sets (assisted by
WYSIWYG specialist Matthias Reuhl), trading on their long relationship with
GLP.
They had
first been introduced to the Karlsbad-based company many years ago when one of
their employees (Denis Hessberger) moved to the manufacturer.
Since then
they have developed ever closer ties, with bright! specifying every generation
of impression fixtures and handling
the manufacturer’s trade fair booth designs to this day. Meanwhile Hessberger
has returned to bright! but continues to work closely with GLP.
As for the
X4, they also proved popular in Lisbon with the influx of visiting LDs who found
them easy to program and build cues. “They are just so easy to work with,”
concluded the lighting designer. “All the incoming bands’ LDs know these
fixtures and can easily implement them in their shows.”
