Production company and Elation dealer Stage-Tech
delivered a large Elation lighting package for one of Southern California’s most
popular rave events, the Hard Summer Music Festival. Both the Hard Stage, the
festival’s main stage, and the Pink Stage featured Elation lighting gear with
the Platinum FLX™ hybrid moving head continuing its busy summer.
Some 32 of the award-winning FLX fixtures were used in
the Hard Stage setup, each multi-functional light alternating with LED wash
lights from center stage fingers of angled overhead truss. “The FLX were chosen
for their punch and versatility as a beam and profile light,” said Stage-Tech’s
Charley Guest, owner of the Santa Fe Springs-based company. “They were used for
the majority of the beam effects and were the meat of the rig. It was the FLX’s
that created much of the impact.”
Held July 30th and 31st at Auto
Club Speedway in Fontana, the Hard Summer Music Festival attracts thousands of
hip-hop and dance music fans, who this year congregated around the racetrack to
experience headliners Ice Cube and Major Lazer, as well as many other EDM acts,
in its new home.
Stage-Tech has been involved with Hard Summer for the
last seven years and this year handled design, lighting, video, and staging for
the Hard Stage along with the Pink Stage design. Charley Guest served as
lighting designer for the Hard Stage with lighting operation performed by Ryan
Burke.
Working with the FLX fixtures from the end of each finger
truss, with some on an upstage truss, were 12 ACL 360 Matrix™ LED moving panels.
The ACL 360 Matrix panels’ 360° continuous rotation and tight 4-degree beam
from each lens made a variety of looks possible. Guest says that Stage-Tech
chose the continuously rotating 5 x 5 matrix moving heads for their unique
effects as a camera eye candy/key light effect.
For eye-catching thick beam looks Stage-Tech spread 38 of
Elation’s industry-standard Platinum Beam 5R Extreme™ moving heads throughout
the rig, while 38 Cuepix Panels were used to frame the tips of the abstract
video strips for a blinder and matrix effect. Keeping the air sufficiently hazy
for mid-air lighting projections were 6 Antari HZ-500 hazers while Antari M-5
and M-10 foggers provided atmospheric fog effects. Meanwhile, on
the Pink Stage, 24 fully rotational ACL 360 Bar™ color-changing LED
battens were used to keep the atmosphere fresh with a variety of dynamic color
effects.
Charley Guest noted that Kenny Kightlinger, Guest’s
former partner, was the “behind the scenes hero” on the project. “He wore
different hats, staging, lighting, video even rigging,” he stated. “He solved
so many problems and did it over and over without a complaint or second
guessing as to why something needed to be done. A real hero!”
Hard Stage
Joe Golden-Project Manager
Steve Warmbier-Motor Supervisor
Doyle Holmon-Master Electrician
Matt Soria-Rigging Supervisor
Reynaldo Gonzalez-Video Supervisor
Pink Stage
Carlos Guillien-Lighting Director
Martin Resendiz-Master Electrician
Frankie Vasquez-Video Supervisor
Jesica Featherston-Rigging Supervisor
Kenny Kightliner – Rover/Hero
