Manchester, UK based lighting
specialist dbn was once again involved in the ambitious production at the heart
of the Co-Operative Retail Trading Group (CRTG)’s annual Supporters Awards and
gala dinner event, staged at the city’s Manchester Central venue.
Project managed by Pete Robinson, dbn
supplied rigging, lighting equipment and design. The company has been involved
in the event for the last seven years and collaborates closely with both overall
technical production management providers A To V and the client to interpret
their brief and bring the venue alive as an exciting and invigorating
entertainment space for the evening.
This year’s theme took some popular
elements of last year’s ‘circus’ in terms of the physical layout and developed
a special ‘carnival’ vibe for this year. The venue was divided into two areas –
with a fully operational fairground in one half and the dinner for 1000 people
in the other.
The dinner room was created by
draping off a large (55 x 40 metre) perimeter in white with the trusses trimmed
at 8 metres high. The idea was that this could be lit and textured beautifully
with a variety of mood-changing colours that shifted throughout the evening.
The side of this soft-wall that faced into the fairground area was also
finished in white draping.
Around 350 x Chroma-Q ColorBlock
units were rigged on the perimeter trusses pointing downwards and focused to
skim the white drapes very effectively.
Central to the dinner and Awards
action was an in-the-round stage – an integral part of the overall set designed
by dbn’s Pete Robinson and A to V’s Production Manager, Mark Whitehead.
In the ceiling, a series of
concentric trusses were installed, starting with an 8 metre box truss above the
stage, from which was hung a cube structure with 8 metre wide by 4.5 metre high
screens stretched across all four of its sides.
Inside the screen cube was an
internal truss flown so the fixtures rigged on it were neatly concealed with
only their noses visible.
On this were 12 x Clay Paky Sharpies,
16 x Sharpy Washes and 16 x 2K fresnels.
On the stage floor were another eight
Sharpies and eight CP A.Leda B-Eye K10s utilized for creating attractive beams
across the stage in all directions shooting out into the room.
A box truss was flown further out in
the room and used for positioning all the table and general lighting. An
impressive 64 ft long, complete with extensions to maximize lamp throw and
general coverage – on this were 16 x Clay Paky QWO 800 washes and 16 x Alpha
Wash 575s, the latter specifically used to light a series of large scenic
carnival masks attached to the truss.
Twenty-four SGM P5 LED floods were
spread out and used for the audience / room washes, while 32 x ETC Source Four
profiles, fitted with a variety of lenses, were the stage washes and specials.
Robinson said of the P5s, ‘This was my first use of SGM’s powerful LED wash
light and I was impressed by the vibrant colours and evenness of the wash. By
using them I was able to drop 96 sour ce4 pars and associated dimming, as well
as reducing the power spec by 100 amps per phase, not to mention the saving in
cable, labour and focusing time!’
Also on this truss were 24 glitter
cartridges that created a great surprise effect when fired at the end of the
Awards, energizing the carnival vibes!
All lighting in this area was
controlled via Jands Vista S3 and S1 consoles programmed and operated by Mark
Jones.
In the fairground, dbn flew two 50
metre trusses, each of which was rigged with nine bars-of-six Source Four PARs
and another nine Source Four profiles for adding breakup effects across the
floor and surroundings.
A temporary performance stage was lit
with eight CP Alpha Wash 700s and the
white soft-wall area was enhanced with 20 x Chroma-Q ColorForce 72 LED battens
spread out on the trusses above with some ColorSplits filling in the smaller
gaps … resulting in a nice smooth, even wash.
The entertainment lighting in the
fairground was run by Stephen Walker Jones using an Avolites Pearl Expert.
Robinson oversaw a dbn crew that
peaked at 14, and the major on-site challenge was the timescale which due to
various venue curfews meant the majority of the work had to be completed during
two intense overnight sessions.
The proximity of the final
confirmation and the actual event also entailed some nifty logistical juggling,
an efficient workflow being activated in a short space of time, and late
requests – like the installation of a ground support system for one of the
fairground artists – were also accommodated by dbn with their usual slick
operational flair and style.
Ends.
Date of issue : 22nd
October 2014.
For more press info
on DBN Lighting, please contact louise Stickland on +44 7831 329888, +44 1865
202679 or EMail : louise@loosplat.com. To contact DBN direct, please call +44
161 273 4297 or check http://www.dbn.co.uk.
Photos : David
Lake Photography
