The European leg of Arcade Fire\’s Reflektor tour came to
an emotional end at this year\’s British Summertime Festival, held in London\’s
Hyde Park. Audiences danced to the band\’s rhythmic indie-rock, superbly
magnified by lighting designer Chris Bushell\’s impressive light show programmed
and controlled using an Avolites Sapphire Touch.
Bushell\’s stage lighting worked seamlessly with the multi
faceted set, devised by set designer Richard Stembride, and the on-stage video
content. Combined, these factors brilliantly echoed the bombastic mood of the
band\’s art-house electronica with the mass enthusiasm of the crowd.
Nevertheless this show has been no easy ride for the
creative team, which has seen them deliver a complex show design capable of
fitting into every kind of venue from big US sheds, to European arenas and
weekend music festivals, often with limited time and not always using the same
lighting equipment. For Bushell, this is where the specification of the
Avolites Sapphire Touch Console proved crucial.
\”The Sapphire Touch was key to the successful
realisation of Richard\’s concept because there were so many design
considerations to take into account,\” he explains. \”I needed a
console that would allow me to recreate my design as quickly and efficiently as
possible in each space. Luckily the Avolites Sapphire Touch not only manages to
do what all other desks do, but it\’s also packaged in a much easier to access
and more intuitive platform, which means I can focus on the creative side of my
job rather than the number crunching aspect.\”
And creative it is – Bushell bounces light around the
stage almost like it is a living three-dimensional object. The ceiling mirrors
are used to great effect and the large selection of fixtures focused in at
every angle make for a lively, rich and multi-dimensional show.
In addition, although Bushell is touring key fixtures, he
also finds himself using a lot of the festival house rigs.
\”Obviously as a headliner we get to bring in more of
our own rig than most, however I don\’t put in full production by any
means,\” Bushell continues. \”For me the delight in using an Avolites
Sapphire Touch console is the intuitive functionality, the dual screens and an
expansive and versatile surface that gives me access to everything I could need
during what can be some frenetic changeovers.\”
Also instrumental is the ease with which Bushell can
transpose the arena show design into the festival rig, as he explains: \”I
can visually map the festival rig on the screen of my console and then copy,
paste and clone each fixture from my own design as I like. In fast-paced
environments such as festivals this is brilliant!\”
Koy Neminathan, sales director for Avolites continues:
\”Avolites has an enormously rewarding relationship with Chris Bushell.
It\’s great to see him using the Sapphire Touch in places such as Glastonbury,
Earls Court and now British Summer Time at Hyde Park. Chris knows our consoles
inside out and has always given us very helpful feedback from his experiences,
at both festivals and touring venues. This feedback is a key factor when it
comes to our product development and design as we value all of our lighting
designers\’ opinions.\”
